a double frieze, divided by a moulding having a row of beads on either side. The lower portion alone remains. Below the moulding a row of S-shaped ornament, and lower still a band of festoons and tassels. In the festoons the tendrils end in a small pointed leaf. (Page 205, Fig. 3.)
4. Fragment of a bowl (Dragendorff 37). Panel divided horizontally by a line of arrow-points between dotted lines. Both halves contain animals running to right. On the left, part of an upright panel with cruciform design. (Page 205, Fig. 4.)
5. Small fragment of a howl (Dragendorff 29) showing scroll with leaves. (Page 205, Fig. 5.)
6. Fragment of a bowl (Dragendorff 37). A bird catcher, facing to right, throws his net over a small bird. (Page 205, Fig. 6.)
7. Fragment of a bowl (Dragendorff 29). Two friezes divided by a moulding having a line of beads on either side. In the upper is a scroll, with tendrils ending in a. small pointed leaf. The lower frieze has been filled with a band of oval ornaments. (Page 205, Fig. 7.)
8. Fragment of a bowl (Dragendorff 29). Two friezes divided as in the preceding number. In the upper, a scroll with tendrils ending in small pointed leaves. In the lower, panels alternating with small medallions. (1) In a medallion, a figure of Cupid to right. The angles filled with tendrils. (2) Panel divided horizontally; in the lower half, a hare (Déchelette 951); in the upper half, three rows of arrow-points. (3) In a medallion, a figure of Cupid to left, holding an indistinct object in each hand (Déchelette 230). Tendrils in the angles. (4) Remains of panel divided as in (2). La Graufesenque. (Page 205, Fig. 8.)
9. Bowl (Dragendorff 30). Part of the sides and foot restored. Egg and tassel moulding. The surface is divided by arches. Between each arch is a zigzag stem floreated at the top. The panels are filled alternately with (i) Upper half, an eagle (recalling Déchelette 982), with wings displayed, standing above a hare. To represent the dead hare the ordinary stamp of the couchant animal has simply been turned upside down. In lower half, four rows of arrow-points. (2) A draped female figure walks to left with the chin leaning on the right hand, which is supported under the elbow by the left. In front is a conventional palm branch. The figure is said to recall the attitude of Penelope on a fresco in Pompeii, and it occurs on a bowl from La Graufesenque found at Cabeza del Griego, Spain (see Déchelette, ii. p. 89). The figure is also to be seen on pottery from Montans in the Muse~e Raymond, Toulouse. (Plate XLII.)
10. Fragment of a bowl with figure of Cupid holding a bow. (Page 205, Fig. 9.)
11. Bowl (Dragendorff 30). The greater part of the side is restored. Egg and tassel moulding. The surface is divided into panels, of which three remain. In the centre stands a nude figure of a Satyr, grasping a thyrsus with both hands.
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